How participatory is street art? An examination of the question with a focus on Banksy’s artworks

소개글

영국 대학원에서 Distinction 을 받은 에세이입니다.

목차

1. Introduction
2. Positive participation of street art
3. Negative impacts and limitations of street art
4. Suggestions
5. Conclusion
6. References

본문내용

How participatory is street art? An examination of the question with a focus on Banksy’s artworks
“Symbols are the instruments par excellence of ‘social integration’: as instruments of knowledge and communication…they make it possible for there to be a consensus on the meaning of the social world, a consensus which contributes fundamentally to the reproduction of the social order” (Bourdieu, 1991, p. 166).

Introduction
A history of Street art and Graffiti
Before explaining about street art, it is necessary to mention about graffiti since both art forms have an inseparable relation. And the terms “street art” and “graffiti” will be used interchangeably in this essay.
There is no exact evidence of the origins of street art, either it was from cave painting or doodles on the wall. In the book “Street Art, Public City” (Young, 2014), about mark-making, Young found a range of opinions on this: some insist that Aboriginal rock art comprises the earliest public art;

참고 자료

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